A Why to Live

You are born. You live a life. You die. Those facts are the same for every single human being. Three facts, three identical aspects of every life.

But that is all we will ever share identically with others. From the moment we take our first breath to the moment we take our last, our lives are unique. No other being will experience life exactly as we do. Our story is our legacy. We might put aside riches, businesses, and other pieces of legacy, but our story will outlive us and outlive all physical possessions, if only in the sands of time.

What if you want to preserve that legacy in book form? Writing your memoir is your best option, allowing you to tell your story as YOU remember it. A biography or autobiography is beholden to facts; a memoir is beholden to memory, which sometimes overrides facts.

I have come to the conclusion over the years that two people can be side by side during the same experience and yet come away with different memories of that experience, all because of perspective, both physical and psychological. Our vantage, whether physical or cerebral, puts a unique slant on every experience.

When you choose to write your memoir, you must understand that not everyone who reads it will agree with you. There will be those who say, “That’s not how it happened at all!” or “I don’t remember anything like that.” They will try to negate your recollection, but it isn’t their right to do so, not if these are your memories. They might not be strictly factual, but they are what you remember, what you experienced and lodged into your memory.

When I help you write your memoir, I will work with you to recall facts as well as impressions and memories, but the power of memoir is its individual perspective, which speaks to the truth of YOUR LIFE.

Let me know if you are ready to tell your story and preserve your legacy. I’m here when you need me.

I recently had a conversation with a fellow editor who is working with a client on her memoir. Our discussion centered on her client’s desire only to write vignettes of her life, painful stories of her past. Apparently, she is insistent that they can stand alone.

While I think I understand her reasons, I suggested that my colleague try to turn the discussion to the potential of healing through memoir, rather than solely recounting the pain.

I suggest this on behalf of her client, as well as on behalf of the client’s readers. While misery loves company, misery also knows its own many faces. It is my belief that memoir can help those who have experienced misery to find hope and healing in the sharing of stories.

My suggestion was that her client continue to write her vignettes, but then the two of them could step back and see if they could find a common thread between all of the stories, perhaps finding a thread of hope or healing that the client had not discerned before. After all, she has survived. That shows tremendous hope.

In addition, though our triumphs within struggles are not always permanent, they are nonetheless permanent steps toward healing. Our lives might be two steps forward, and one step back, or two forward and almost two back, but by looking at our stories, we can see incremental advance toward permanent triumph. It is those tiny steps that can give us hope, and that measure our healing.

Elsewhere, I have written about the importance of using vignettes to help writers to find the backbone of their story. That is no less true when their story is one of great pain or misery. Vignettes can be mile-markers, signposts of advancing on hope.

We write memoirs as legacy, but we also encourage memoirs for healing. This requires digging deep within, below the pain, to find the hope.

There are many reasons that people write memoirs. Some people have a visceral need to vent about their lives. Other people wish to vaunt their achievements and lay a pathway to success for others. There are myriad reasons why people turn to memoir, and all have value.

As a memoir writing coach, it is my first task to understand the why of the memoir, because only through understanding the why can I be of greatest help to the author. If the memoir is a venting, it is my job to help the author find the story in the pain or anger. If the memoir is a declaration of achievements, it is my job to help the author turn from boast to affirmation of effort.

No matter what the initiating force, all memoirs serve a purpose, for both the author and readers. Memoirs are snapshots of life. Each is unique, and each can have value for the reader who happens upon it.

Memoirs can relate stories of hardship and endurance, or can celebrate success or examine failure. Within each, readers should find nuggets of truths that speak to them, regardless of the readers’ own stories. The courage of the emigrant might echo the courage of a first-time soldier. The loss of a loved one might recall the loss of home or homeland.

We never know how our stories will affect others. We cannot plan how they will affect others. What we must do is speak the truth of the events. That truth will resound within the readers. To what effect, you shouldn’t care. The thrust of your memoir is to record your life truthfully, and open understanding to your readers.

It’s my job to help you achieve that truth.

If you are having trouble starting your memoir, don’t fret. You don’t have to start at the beginning–where you were born, who your parents were, etc. Instead, your memoir can start at any point in time.

What I find works best is just beginning to tell stories about your life. Put these vignettes on paper, and after a while, the form of your memoir will begin to take shape. Sometimes, unconsciously, we shape our memoirs by the stories we choose to share as vignettes.

One way to launch your writing is by using prompts. I use prompts for different times and aspects of life, such as about childhood or the teen years, or the things that challenged or frightened you.

Another great source of stories are reflections about your family. Here are some prompts to get you started:

• Who was the power on the throne in your family? Why? And did he or she wield that power wisely and with love, or was it used to crush and control others? Or was power shared?
• Were you aware of money matters in your childhood, or did your parents shield you from money concerns? Would you rather have had such topics handled differently in your family?
• Do you feel like someone in your family was your greatest guide or mentor? If not a family member, who would you say had the most influence on your growing years?
• Describe a time when your mother or father or other special adult spent time with you, either an individual event or an ongoing interaction.
• What is one of your favorite memories from childhood?
• What is one of your worst memories from childhood?
• What is one of your favorite memories from your teen years?
• What is one of your worst memories from your teen years?
• What pet(s) did you have? Tell a story about your pet.
• Who was your best friend when you were growing up? Tell a story about that friend.
• If you had siblings, do you have a story or two about those siblings?
• What was a strong family trait in your home when you were growing up?
• In your family who listened to you the most?
• Did you have a family tradition that you liked or disliked? Why?

Prompts such as these will lead you to other ideas, new avenues to follow in your writing. It’s a good idea to keep track of your own prompt ideas as you follow these. Keep a piece of paper at hand every day to write down new thoughts and prompts.

Perspective: a particular attitude toward or way of regarding something; a point of view.

I often hear from people that they would love to write their life story, but they are afraid what other people might think, specifically family members. This is particularly true if they have a painful story to tell.

My answer to them is that they have every right to write their own story, and if it involves other people, then it involves other people. That is life, unless you are a hermit living on a mountainside.

But there is a way to write the story that will protect others (if you wish), and that will keep others from feeling under attack. That doesn’t mean that you leave out the truth. It simply means that you present the story from your perspective, acknowledging that others might see things differently.

I just had an experience that illustrates this. Going down an ice slide with my best friend in Quebec City, I felt her sliding off of the sled, so I reached down to grip her and hold her on, risking my recently injured back in the process. But she has no memory of my actions. Instead, all she knows is that her snow pants caused her to start slipping on the plastic sled and she fought tooth and nail to stay in the sled as we careened down the hill. If I had written my memoirs of that moment before discussing the event with her, she might have called me a liar, declaring that I had done no such thing. (My back would say otherwise.)

Life is a matter of perspective.

So, don’t fear writing your life story and hurting someone in the process. I can certainly help you find a way to tell your story without unnecessary finger pointing or revenge.

Your life is your story. Let no one stop you from telling it.

 

I think the biggest challenge to a memoir writer is concern about what family and friends will think of what we’ve written. That’s true in fiction as well as in memoir: when people think they recognize themselves, they can become quite affronted. Or they can belittle the piece, claiming, “That’s not the way it happened at all.”

With fiction, people tend to be a bit more accepting of what you write, since it IS fiction, after all. But with memoirs, oh, watch out. Toes will be tread on, guaranteed. And feelings will be hurt, and accusations will be made.

Should this stop you from writing a truthful memoir? I hope not. What happens to you in your life is YOUR story. You can ask permission of those you wish to include, but that won’t solve the problem. My only suggestion is that you write the truth, as you see it, the pure truth, and let it stand. If others are offended, then you can explain that the memoir is YOUR memories, YOUR impressions, YOUR life.

Anne Lamott regards the difficulty of writing about family and friends as a non-issue: “You own everything that happened to you,” she wrote in Bird by Bird. “Tell your stories. If people wanted you to write warmly about them, they should have behaved better.”

What you write is a personal decision. There might be some stories that are too painful to write about, or too harmful to others. There are laws about liable and defamation, and so on, so you might want to review those laws before you publish.

Or, you can always choose to leave out some events in your life. Find the defining events, and perhaps choose wisely among those so as not to hurt or offend.

But if you write your memoir from the aspect of truth and memories as best as you can recall, then you are on firm foundation. Don’t be cruel, don’t be vindictive, but tell your story.

There’s an African proverb that tells us, “When an old man dies, a library burns.” It’s a powerful observation—and all too true. The experiences of our parents, grandparents, and ancestors are lost to us when they pass on if we haven’t taken the time to discover and document their stories. Unfortunately, many of us don’t realize what treasures those family histories might hold until we reach “a certain age” ourselves.

In Western society, we sometimes view the greatest legacy as the wealth we inherit from our parents or grandparents. With this inheritance, we are likely to feel more secure in our lives, less fearful of being unable to care for ourselves and our children in the future.

But is financial security the best inheritance? I believe not. I believe that family cohesiveness is one of the best legacies we can leave to our families: a sense of who they are and how they belong in the family unit. This security of place and welcome is a key foundation to happiness.

Stories provide roots for a family, and as the success of the 1970s show Roots and later genealogy shows illustrate, we all want to know where we come from.

Family stories can bring a family together. When we share stories, we share a common bond. Without that bond, families begin to drift apart, to feel disconnected from one another. And that is a loss to all members of the family. Perhaps family members feel that they have nothing in common. They don’t live in the same state, they share no experiences, they are not part of each other’s lives. In our mobile society today, this is all to typical.

But get those dispersed family members together, for a wedding or funeral all too typically, and shared stories begin to draw the family together again. Their immediate lives might be so diverse and so polar opposite that they might feel they have nothing in common, but they can discover commonality in stories of those who have gone before, members whom they both share in the family line.

Family stories and the histories they preserve have a remarkable power to bind generations together through their shared connections to the past. I think most of us intuitively recognize that there’s a lot of significance in family lore, but research suggests it has the potential to profoundly influence our children and grandchildren for the better.

Why does family history matter so much? In part, it’s because being a part of something bigger than ourselves helps give us roots. Some experience it as a spiritual connection with their ancestors. It boils down to understanding that we come from a shared past, and that our families will go on after we’re gone. There’s a certain comfort in knowing you’re part of a timeline—or a family tree—that continues to grow and change.

Novelist George Meredith once wrote “Memoirs are the back stairs of history.” Those back stairs preserve a piece of the past for future generations.

You set an excellent  example by documenting your own story. Once you have begin, I suggest that you encourage all family members to be aware of their own unique stories. If you have elderly parents, grandparents, aunts, uncles or other relatives, now is the perfect time to ask them to share their stories with you—or better yet, ask them to share them with a member of the youngest generation and let that person report to the whole family.

Remind your children and other younger family members that their own stories are vital to the family collection. People of any age can be the bearers of tradition. Give your family roots off of which they can grow and strengthen themselves and their own families.

 

People often delay writing their memoirs because they don’t believe that they have all of the information required to write their life history. They don’t know the dates and locations of their parents’ births, perhaps, and certainly don’t have that information for their grandparents. How can they begin their own story if they don’t have documentation for what came before?

This might be true for an autobiography, though I think it’s not required, but it’s certainly not true for a memoir. As Judith Barrington wrote in her book Writing the Memoir:

[A] memoir is not an autobiography but rather a selected aspect of life. How you select that aspect is crucial to the success of your piece. You have to know–not necessarily right away, but at some point–what it is that you really want to write about, which in turn will tell you what to leave out.

Life doesn’t have a shapely plot in the way that fiction often does. Instead, it goes day by day with an ever-shifting focus as various themes unfold over time. As you shape your memoir, you will need to select events from this random package in order to capture a narrative.

That is where vignette writing comes into play. When I work with my memoir writing clients, I suggest that they begin by writing vignettes of their lives, those stories that they frequently tell others, or those stories that they hold deep within themselves that must be told. These are the seeds of the future memoir.

Once we have eight or ten vignettes, it is often possible to begin to recognize an inherent story structure, to see what is important in the relating of their lives. Themes often become apparent, such as themes of loss or of movement or of a search for meaning. Often, once we identify the unifying theme, more stories come tumbling out of the writers’ minds, prompted to flesh out the theme.

These vignettes are then tied together with a main theme…much like individual frames of a film.

Of course, a memoir can have multiple themes, but even these will eventually show a structure around a larger, pervading theme. The main theme is like the trunk of a tree, off of which will grow the branches and leaves that give the tree its form.

Some writers know before they begin what their themes will be. Others must discover them through process. But all memoirs will be mere aspects of a larger life. And that is perfectly okay.